VVV is a commentary on the role of control and disperse of information and especially sound information on a war over attention, in a totalitarian, electronic world.
VVV consists of three pieces composed on February 2015. Although it's a studio composition it is based around a lot of material that have been presented live and real-time generated or recorded sound layers. It intends to blur the boundaries between the electronic mass media sound space, everyday-world sound spaces and musical sound. The mass media sound is represented mostly by recordings of news broadcasts made on February 2015, the everyday-world sound by recordings of everyday activities ''performed'' at the same period, and the musical sound by sampled music and synthesized material processed live. The final result owes as much to traditional musique concrète and live electronic music as to free jazz, psychedelic rock and contemporary classical music.